Others (Shaker included in this
lot)
will trace the dance through the
gnostic and mystic ways,
through sufism and teachers like
Rumi,
back into time.
.
Shaker (that's me) often will trace
the dance back into the temples of the neolithic.
Though there is debate afurious
on the subject of the Mother Goddess cultures of the neolithic.
The temples of the era were not
centralized.
They varied greatly. But there
was a thread
As in any but the most dark of
eras, there was mercantile activity.
Robert Graves in The White Goddess
portrays a mercantilism that was
mining tin and gold
in the Isles of the Tuatha de Danaan
(the Celtic Isles)
and moving this material to as
distant a land as India.
In each era there are those human
spirits
who seek beyond the superstitious
fundamentalism of their local clan.
.
And so too in the time of the ancient
temples
(where the crones guided)
there were free hearts who were
in communication with one another across distant lands.
At this time there were numerous
village temples as well as some quite large temples.
The larger temples were vast "land
holdings", if the word can be used.
They were the centers of learning
in an era when art, religion and science were one.
From here is where Pythagoras inherited
his mathematics.
From here the ancient Elussinian
and Dionysian rites were born.
Here was the birth of herbology,
medicine, metallurgy, modern agriculture.
.
And here the Dance was kept.
.
There were temples we know of in
which The Dance did not cease for years.
In some The Dance went on for decades.
There are some in which we suspect
The Dance did not cease for centuries.
This was one of the primary ways
in which the ancient ones
'Kept the Sacred Time'
.
Much of this, of course, is open
to conjecture.
A few resource materials
of value to begin the study the
ancient history
Would be Robert Graves' 'The White
Goddess',
Barbara Walker's 'The Woman's Encyclopedia
of Myths and Secrets'
and, of course,
Any of the work presented by Maria
Gimbutas.
.
Touchstone,
under the directorship of Anja
and Shaker,
has become a regional center of
The Dance.
We host a data bank of the people
interested in the dance
and attempt to keep abreast of
of the teachers who are facilitating the dance throughout The US and Canada.
We also maintain a databank of
the dances.
Though incomplete (as any grass
roots information flow would be),
we attempt to register the origins
of the dance,
the choreography (traditional or
modern),
and where to find the music.
It is this information which we
are currently placing upon this web page.
We also have a full music recording
studio on the Farm,
and we are continually in the studio
recording new circle dance, LongDance and meditation music.
.
We also will frequently teach prospective
teachers
to teach the dances
and help them deepen in the facilitation
of a circle.
Anja and Shaker, when not farming,
will also be found traveling the
continent to different areas
where the people either wish to
deepen their circle in the Dance,
to start a new circle
or to have him help facilitate
a special gathering such as a men's circle or a retreat weekend.
At Touchstone we host weekly circles
on Saturday and Friday Evenings
when we use the medium of Dance
and TalkStory
to attune to the peace, dignity,
folly and wisdom within us.
We cultivate the union of Sacred
time and Sacred Space.
.
Currently there are over five hundred
dances in the Sacred Circle Dance vocabulary.
During this season a we are constructing
a list of the dances
with an accompanying graphic of
the choreography of each dance,
as well as historic and mythic
content.
.
To access this just begun and
evolving project
come to the dance
page.
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If you wish to contact Anja
or Shaker
about learning the dances or
of the ways of the facilitation of the dance,
or to inquire into who may be
available your area for a special circle or event---
or if you wish to find if there
is a circle already in your area,