Recording with Lissa is quite an experience.
You set up the studio and when things are ready, you go and search for
her.
Almost any hour of the day she is out in the garden working.
"Can't we do it later?" she'd plead to stay in the garden.
So there she is, standing before the mikes, garden dirt smudged across
her face,
her clothes heavy with rich soil, bits of weeds and seeds and twigs
tangled
in her hair ---
and the voice of a pure Heart.
You will never forget these songs
which will open your heart and mind in deep and unique ways.
Some of Lissa's comments on her songs
Holy Land Summer 1997
I was on a work trip to Palestine, and our group was visiting Hebron
in the midst of the clashes.An Israel officer halted us and asked us
what we were doing.Our guide,a member of the Christian Peacemakers
Team,explained our peaceful intent of bearing witness.The officer repliedîpeacemaking
is all very well and good
but this is neither the time nor the place ì
Return Winter
1998/ 1999 in Salzdahlum,
the village in Germany where Anjaís family lives and where she grow
up.One day we talked
with Anjaís mother and it was like a little confrontation in
which i realized again how often
mothers want a special way for their children,a path that doesnít always
go along with our visions.It was snowing and after this conversation I
went for a long walk on which this song
came to me.When I came home Anja and me sat down in our room in the
basement and I
shared the song with her Return ,song
of a child to her mother
Seperate from the Land Fall 1998
I wrote this about a lovely old woodlot that stood near my college-
it was razed in
order to put up a grocery store.Iíd come home from hearing Wendell
Berry speak beautifully
at NOFA,about our connection to the land = went to gather some
nettles
and walked into this scene of destruction.It was physically painful
- I suddenly knew absolutely what Wendell Berry meant
Wander of the woodland Fall 1998
I lived in County Clare,the summer I was sixteen,once I was walking
along the cliffs near where I was staying I saw a girl of maybe seven sitting
down near the water playing ìmerrily kiss the Quakerî on her tin whistle.
When I wrote this song I stuck that tune in the middle because it brings
all of that joy back - the joy of music ,of walking of the ocean,
of being
too young to care about how you are percieved
Voice: Lissa, Erin Weaver, Anja Daniel
Guitar: Lissa and Anja Rhythm:
Anja Recorder: Anja
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